Curve of Pursuit
By Bin Ramke
A point, a line, alignment. Lovely
the lingering lights along the shore
as the century lays itself out for observation:
hunger and the youthful indiscretion.
I am one of many, or not even one,
but am of many one who watches the waves
and allows the particulate sand its say, say,
its sound, susurrant. Of many one
engaging the ear as if the Pacific
meant its name, as if the edge of
continent contented us with boundary.
Draw a line from A to B. Live there.
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I had a delightful Monday visit from
Before the movie we stopped at the mall and spent way too much money on British charms and stuff at Claire's, then ate Indian food for lunch. Late in the afternoon we came back here and watched the Liam Neeson-Geoffrey Rush Les Miserables, which Adam actually watched with us (and apparently liked better than the musical) -- it's a version of the novel that I really like, in large part because it fully tells Fantine's story, though Enjolras is a minor character and Eponine isn't part of the drama at all; Neeson's Valjean is rougher around the edges if better fed than most musical versions and Crowe was definitely playing closer to Rush than to Terence Mann. Have spent the evening watching Once Upon a Time (which we missed on Sunday because of the Golden Globes) and going over paperwork for refinancing our mortgage while rates are so favorable. So I am behind and shall post only one photo of myself and Delta taken by Adam for